The term “assemblage” in art refers to the intentional assembly of various elements – often everyday objects – into a single composition. A newly released book, Assemblage: The Art of the Room, explores the concept of assemblage through the lens of residential interiors, focusing on the details that are purposefully displayed and layered to form part of the identity of a home. At times these pieces have been curated to complement the architecture, and at other times they work in juxtaposition with it, yet somehow nothing feels out of place.
Twenty-four homes are showcased in the book, each carefully selected from Australian photographer Shannon McGrath’s archive. Accompanied by words from design journalist and author Annie Reid, each chapter begins with an interview between Reid and the home’s architect, designer or owner. Through these interviews, it becomes clear that even the smallest of objects can significantly change the language of a space.
Parklife Apartment by Hecker Guthrie, a featured project in the book, illustrates the challenges of achieving a curated aesthetic when working within the limitations of an apartment. Founding principal Hamish Guthrie explained that the design team addressed height and footprint constraints by opening up the pokier areas of the apartment and minimising finishes to just three materials. By opening the space and using restrained finishes, the details stand out without overwhelming a compact environment.
Alongside apartments, the book showcases a diverse range of projects, from adapted residences and new homes to terrace houses and farmhouses. Stone Soul House by Robson Rak Architecture and Interiors, Cobden Terrace by Matt Gibson Architecture and Design, and Woodsmith Estate by Abe McCarthy Architects are just some of the presented projects.
Assemblage: The Art of the Room by Shannon McGrath and Annie Reid is published by Thames and Hudson Australia, AUD $79.99.
